Stock: 
Format: 
Number of CDs: 2
Release Date: 14-06-2006
Label: Celestial Harmonies
Catalog Number: 14260-2
Barcode: 13711426021
Musical Style: Classical
Track Listing:
| Disc 1 | |||
|---|---|---|---|
| 1 | Trois Nocturnes Opus 9 (1832) B flat minor [06:07] | 6 | Trois Nocturnes Opus 15 (1833) G minor [05:56] |
| 2 | Trois Nocturnes Opus 9 (1832) E flat major [06:15] | 7 | Deux Nocturnes Opus 27 (1836) C sharp minor [05:30] |
| 3 | Trois Nocturnes Opus 9 (1832) B major [06:34] | 8 | Deux Nocturnes Opus 27 (1836) D flat major [06:29] |
| 4 | Trois Nocturnes Opus 15 (1833) F major [05:07] | 9 | Deux Nocturnes Opus 32 (1837) B major [05:49] |
| 5 | Trois Nocturnes Opus 15 (1833) F sharp major [03:44] | 10 | Deux Nocturnes Opus 32 (1837) A flat major [05:59] |
| Disc 2 | |||
| 1 | Deux Nocturnes Opus 37 (1840) G minor [07:32] | 7 | Deux Nocturnes Opus 62 (1846) B major [08:41] |
| 2 | Deux Nocturnes Opus 37 (1840) G major [07:09] | 8 | Deux Nocturnes Opus 62 (1846) E major [06:15] |
| 3 | Deux Nocturnes Opus 48 (1841) C minor [06:27] | 9 | Nocturne Opus post. (1827?) E minor [04:01] |
| 4 | Deux Nocturnes Opus 48 (1841) F sharp minor [07:37] | 10 | Lento con gran espressione [Nocturne] Opus post. (1830) C sharp minor [04:08] |
| 5 | Deux Nocturnes Opus 55 (1844) F minor [05:07] | 11 | Nocturne Opus post. (1847/8) C minor [02:49] |
| 6 | Deux Nocturnes Opus 55 (1844) E flat major [05:14] | ||
Description:
After a five-year creative sabbatical, the grey eminence of Australian classical piano returns to the recording studio with his first complete recording of Chopin's Nocturnes. A life-long search for the 'sacred cantilena' (Woodward) has found its fulfillment in a passionate interpretation of the music at the heart of European romanticism.
A recording made with infinite care, on a hand-picked Hamburg Steinway D with ivory keys, by one of Germany's leading producer/engineers, Ulrich Kraus of Munich. Taking the music back to near where it came from more than 150 years ago, it also makes a convincing case for the timelessness of these 21 pieces which had been part of Woodward's life for some decades now. Going back to his early studies at Sydney University, then in Poland and the U.K., then turning from student into teacher at San Francisco's renowned State University, the Chopin Nocturnes had been a core element of Woodward's repertoire, and Woodward's ever-intense reflection on music and life.
At the age of 63, at the height of his creative powers, this recording captures him in an introspective, inward-looking, mature mood. This not just steel-fingered virtuosity, it is looking deeply into the hidden layers of these remarkable works, trying to sound out what it all means, reading between the lines, listening to the silence between the notes, playing it all in the most thoughtful way. It avoids the obvious, it looks for understanding rather than outward effect. It is poetry in a larger sense, it sees Chopin above all as poet, his expression as universal, reaching beyond music; Chopin's contemporary, the German poet Heinrich Heine, thus saw Chopin as someone from the 'dream realm of poetry' where all the arts converge.
Why did it take this long to record all the Nocturnes? 'It takes that long', is Woodward's clear and convincing reaction, and: “Chopin gives us the questions but he doesn't give us the answers”.
After days of intense concentration, producer/engineer Ulrich Kraus comments: “One hears in every note he plays, how much thought he had given it”. As for Woodward himself, he says: “Somehow I'm not playing them anymore; they are now playing me”.
Biography:
Currently resident in San Francisco, Roger Woodward performs with the Leipzig Gewandhaus, New York, Los Angeles and Israel Philharmonics, Orchestre de Paris, the Cleveland Orchestra, London orchestras and European Community Gustav Mahler Jugend-orchester, with conductors such as Claudio Abbado, Paavo Berglund, Pierre Boulez, Charles Dutoit, Eliahu Inbal, James Judd, Eric Leinsdorf, Lorin Maazel, Sir Charles Mackerras, Sir Roger Norrington, Kurt Masur, Zubin Mehta, Witold Rowicki, Walter Susskind, Georg Tintner, Edo de Waart, and Hans Zender.
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