Price: £13.98 inc. VAT (£11.90 ex. VAT)
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Release Date: 25-10-1998
Label: Celestial Harmonies
Catalog Number: 13165-2
Barcode: 13711316520
Musical Style: Classical
| Disc 1 | |||
|---|---|---|---|
| 1 | Vibrations; Paul Horn [01:41] | 10 | Ise; James Newton [05:28] |
| 2 | Akasha; Paul Horn [02:51] | 11 | Temple of Heaven; Paul Horn [03:15] |
| 3 | Bats mez ter (Open for us) [02:36] | 12 | Dang Dan cung Dan don (meaning now obscure) [04:30] |
| 4 | Al Ya Zane (Oh Thou Zane); Arranged by Thompson [05:03] | 13 | Trach Toch [02:15] |
| 5 | Nuper Rosarum Flores; The Song Company [05:47] | 14 | Meditation Psalm 6; Paul Horn [05:17] |
| 6 | Come Unto These Yellow Sands; Ian Carr [06:26] | 15 | Kamanche Taksim [01:35] |
| 7 | Voices; R Carlos Nakai [04:34] | 16 | Of the Most High; James Newton [06:47] |
| 8 | Aleph und Beth; Heinrich Schutz [04:49] | 17 | Toccata d-moll BWV 565; Johann Sebastian Bach [10:08] |
| 9 | Na't-i Sherif; Buhurizade Mustafa Itri Efendi [05:42] | ||
Proportion, purpose, space... the fundamental principles of architecture exist on both physical and metaphysical planes. And they are the fundamental principles of the arts as well - and of music in particular. This compilation offers a diverse glimpse into this connection between music and great works of architecture, as well as some unusual and usually beautiful sites that are not nearly so well-known and the ultimate architecture - that of the earth itself. The peculiar magic of the world's great architecture is to both distill and expand the experience of music. A reverberant space gives the musician the change to really listen. Paradoxically, this deeply personal experience can be communicated to a wider audience. Maybe it's that very intensity that enables this music to speak so clearly - to all of us who might never have the pleasure of playing one of our own creations into the echoing dome of the Taj Mahal, or the vaulted ceilings of a European cathedral, or the implacable stillness of a New Mexico night. Just listen: the spaces are in the music as much as the actual notes.
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