SOUL ALONE - THE ART OF THE SOLO

Various Artists

SOUL ALONE - THE ART OF THE SOLO - Various Artists

Price: £13.98 inc. VAT (£11.90 ex. VAT)

Stock: In Stock

Format: CD

Release Date: 26-10-1998

Label: Celestial Harmonies

Catalog Number: 13126-2

Barcode: 13711312621

Musical Style: Classical

Track Listing:

Disc 1
1Adagio from Sonata No 1 in G Minor for violin solo BWV 1001; Johann Sebastian Bach [05:31]12Seekers of The Truth Part 18; George Ivanovitch Gurdjieff & Thomas de Hartmann [03:35]
2Nihavend Fantazi (Modal Fantasy); Dincer Dalkilic [01:31]13Fantasy; Michael Atherton [02:30]
3Initiation- Psalm VII; Paul Horn [04:05]14Sounds And Sweet Airs; Ian Carr [01:31]
4Parting At Yangguan [05:00]15Voices; R Carlos Nakai [04:33]
5Book of Sounds Part 9; Hans Otte [03:43]16Sail ain ijaner ... [03:19]
6Aries; Perry [03:13]17Al Ya Zane (Oh Thou Zane); Arranged by Thompson [05:02]
7Bass Improvisation; Masayuki Koga [04:01]18Ancient Voice; David Hudson [03:06]
8Kyrie Opening; David Hykes [05:27]19Vase Initiation of Yamantaka [01:20]
9Marimba Dance; Michael Askill [02:37]20Punleu Prey Viel [02:33]
10Shinsencho Bukyoku (Shinsencho Dance); Yuize [02:48]21Land of Enchantment; James Newton [05:34]
11Tokat [04:01]22Sarabande Suite Nr 4; Johann Sebastian Bach [03:00]

Description:

Music was originally a communal act. It was utilitarian and, in a way, magic - it made work easy. Music was also a reflection of the nascent social order, with one lead voice and the rest responding. The first solo music was therefore a powerful act of liberation, of spirit. This recording contains a great diversity of solos; more than a millennium separates the oldest from the most recent; there are solos for flutes, reeds, brass, lutes, zithers, fiddles, piano, percussion and voice; the music comes from the Near East, the Far East, Australia, Europe and the Americas. But despite the contrast of instruments and styles, what gradually becomes apparent is the similarity beneath the surface of these works. Soul Alone: The Art of the Solo suggests that there is some fundamental distinction about the way musicians express themselves in a solo setting - something that defines the Art of the Solo. This is some of the most personally felt music the world's greatist traditions have to offer. If the act of making music is a personal one, so too is listening. Music was always meant to be listened to - by other people, or by something else, whether you call it God or nature or by another name. And that is the reason for Soul Alone: The Art of the Solo. Because after all, music can be performed alone and heard alone, but it is still a communal art, meant to be shared. Perhaps it only truly becomes music when it is shared.


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